Royal Ballet Soloist Nicol Edmonds makes his début as the Prince in The Royal Ballet’s The Nutcracker this Tuesday 27th December. Here he discusses the challenges of preparing for the role and what it was like to be coached by Strictly Come Dancing judge and former Royal Ballet Principal Darcey Bussell. Continue reading “Nicol Edmonds: Meet The Royal Ballet’s New Sugar Plum Prince”
English ballerina Yasmine Naghdi was promoted to First Soloist of the Royal Ballet at the end of last season following successful débuts in the leading roles of Sir Kenneth MacMillan’s Romeo and Juliet and The Invitation.
This season she will perform the role of the Sugar Plum Fairy in Sir Peter Wright’s The Nutcracker. Here’s what she had to say about this Christmas jewel and preparing to perform the coveted role. Continue reading “Yasmine Naghdi: The Nutcracker’s beautiful music deeply affects this new Sugar Plum”
Last year The Telegraph’s Ellie Pithers described her as “The Royal Ballet’s diminutive star-in-waiting“. A year later, Francesca Hayward is their newest (and youngest) Principal dancer. Here she speaks about the challenges of preparing for her “first big classical, tutu role” and why The Nutcracker holds a special place in her heart. Continue reading “Francesca Hayward: The Royal Ballet’s Newest Principal on Tackling Her First Tutu Role”
Born in Brazil, Mayara joined the Royal Ballet in 2012 as an Artist. At the end of the 2015/16 season she was promoted to Soloist of the Royal Ballet.
Cuthbertson brings MacMillan’s dramatic intensions to light amid the dark space
Hayward and Sambé are mesmersing
Scarlett’s production sets the bar high for ballets to come.
Act II is a glorious display of classical technique expertly weaved with Wheeldon’s contemporary influence.
Salenko’s supple bourrées, lengthy jetés and perfectly placed lines are simply to-die-for.
Heap’s singular technique and exquisite fury as the Queen of the Wilis was enthralling.