Heap’s singular technique and exquisite fury as the Queen of the Wilis was enthralling.
Here, Choe is royal.
Hayward and Hay never failed to combine grace, beauty and striking lyricism in Ashton’s 30-minute spectacular.
Salenko’s shining Sugar Plum and McRae’s Prince accented, sharpened and shaped the choreography to Tchaikovsky’s twinkling score.
Pigeons is such a success that it should see the stage as often as Swan Lake.
“Their balcony pas de deux bled endless emotions…”
When together, Salenko and McRae are ingeniously sublime.
“There are no words to describe this 30-minute piece.”
“Cuthbertson and Bonelli are to die for… they spared no emotions.”
“In Act III… she (Lamb) finally seems to break through the invisible wall between stage and audience.”